Blog Post Wordle

I recently created this wordle of a blog I posted Dec. 16, 2010 titled “Research Opportunities are Everywhere.” I thought it was an interesting graphical representation of the theme and tone of the post.

Wesleyan Philosophy of Practice

During my visit to the gym last night, I happened to pick up of a copy of Inc Magazine to read while I warmed up on the bike. I came across an article on corporate social responsibility, which reminded me of our Office Life, Building Life, Architecture 2030 commitment, Open Hand Studio and other volunteer activities that are all part of our social responsibilities.

The introduction to the article had a quote from John Wesley, the founder of the Methodist movement. I must admit I’d never seen it before but was moved by the simple message. Here it is.

“Do all the good you can,
By all the means you can,
In all the ways you can,
In all the places you can,
At all the times you can,
To all the people you can,
As long as ever you can.”

It’s a practice vision from the 18th Century that offers good, simple, straightforward words for us to follow today.

What Do You Bet? - Idea Generation and Innovation

I just read an interesting innovation article called Little Bets: Think Differently, written by Peter Sims and drawn from his new book, Little Bets. His article, published in Change This, starts with the provocative quote “The best way to predict the future is to invent it.” He offers an interesting perspective on idea generation and innovation that challenges some conventional wisdom. For example, he contrasts the genius and experimental approaches while also exploring the attributes of fixed and growth mindsets.

There are many useful perspectives, drawn from varying sources like Chris Rock, Amazon’s Jeff Bezos and Starbucks’ Howard Schultz, for various ways to approach the creation of ideas, and the testing and realization of those ideas. Two topics stand out for me: prototyping and “plussing”. Sims is a very strong proponent of idea prototyping and shares the collaborative design process of “plussing” as used by Pixar. The idea behind “plussing” is to build upon and improve ideas of your team mates without using judgmental language. Two good concepts and quotable thoughts relate to the architectural engineering world:

“Ingenious ideas almost never spring into people’s minds full formed; they emerge through a rigorous experimental discovery process.”

“For most of us, successfully adopting an experimental approach requires significant change in mindset. After all, we’ve been taught to avoid mistakes and failures at all costs.”

But of all the topics, discussions and examples, the theme of little bets and related small wins, is the most powerful and useful. So as Peter Sims summarizes, "It all begins with one little bet, what will yours be?"

Active Design Guidelines

Much has been written recently regarding the health risks and future costs of sedentary life and obesity. Late last year New York City, through a multi-disciplinary effort of city agencies, academic partners and AIA NY, published what I think is the first comprehensive guideline focused on design features and elements that promote physical activity. The guide has four chapters including Design and Health, Urban Design, Building Design and Synergies with Sustainable and Universal Design.

This is a great reference and resource for use in all of our work and is very consumable through clear writing, good graphics, linkage for evidence-based design/good practice, case studies and checklists. A free download is available from nyc.gov.

A quote from the guideline’s executive summary frames the context for the current challenge for architectural and urban designers.

“In the 19th and early 20th centuries, architects and urban reformer helped to defeat infectious diseases like cholera and tuberculosis by designing better buildings, streets, neighborhoods, clean water systems, and parks. In the 21st century, designers can again play a crucial role in combating the most rapidly growing public health epidemics of our time: obesity and its impact on related chronic diseases such as diabetes, heart disease, and some cancers. Today, physical inactivity and unhealthy diet are second only to tobacco as the main causes of premature death in the United States. A growing body of research suggests that evidence-based architectural and urban design strategies can increase regular physical activity and healthy eating.”

So every opportunity to design and construct a component of the built environment is an opportunity to carefully create a design that promotes active living. The most obvious are stairs for everyday use. Let’s actively engage this research into our planning and design work.

Together We Can Each Be More Creative

I never really though I'd learn much about creativity and design thinking from a cartoon character until I read Robert Fabricant's essay posted on Fast Company's blog, Frog Design: 3 Things Wile E. Coyote Teaches Us About Creative Intelligence. The essay does a fantastic job of helping to examine and explain just how we bring out creativity in one another. I think it's incredibly relevant to our firm and the A/E profession in general. Those design challenges, different ideas and unique perspectives that make up our profession can help drive us to be more creative.

Fabricant shows us how we can push each other to be more creative by examining the relationship between Wile E. Coyote and Road Runner. He argues, 'Would Wile E. be anywhere near as creative without Road Runner? Would his inventions emerge out of his own faculties unprompted or only in response to a situation? His relationship with Road Runner is a dynamic that constantly pushes him farther, faster and (unfortunately in more cases) higher than he imagined.'

Think about this as you work on new projects. Engage with as many fellow teammates, clients and colleagues in the profession as you can, whether they think like you do or not. Responding to challenges and seeking diverse views make for the kind of mentality and attitude that will drive us forward. It's those collaborations that can increase our firm and profession's overall creativity quotient.

Fabricant sums it up with, 'Creativity emerges out of relationships; it's the tension between different ideas and perspectives and so it is risky to define it as an ability that we inherently possess.'

Don't shy away from the tension of different ideas and perspectives. Seek them out, elaborate and strive for creative solutions to our challenging design opportunities.

Watch some Wile E. for inspiration.

Searching for Quality...

Carlo Rotella's opinion article in the Boston Globe yesterday struck a chord with me in a number of ways. First, it started on an anti-technology direction, “Why I don’t allow laptops in my classroom,” but then switched to a more favorable and interesting view. He then argues for the need to distill the current large quantity of media/social media into quality.

The example he uses is the viral hit “Thru-YOU,” by Kutiman, a compilation of tunes assembled from YouTube samples. The video, and in particular the tune called “The Mother of All Funk Chords”, shows that large quantities of uneven quality material can be distilled to produce a new level of quality. It is a good demonstration of how the great streams of online information, in this case YouTube videos, can be used to produce unexpected musical quality.



Rotella’s quote sums it up:

“But Kutiman offers a reminder that quantity is not the enemy of quality, and that to live well online one must learn to transmute quantity into quality.”

It obviously works for Funk Chords. Can it work for architecture as well as we sift large quantities of research, articles, blogs and tweets in a search for quality evidence for our design process?

Research Opportunities Are Everywhere

I recently read an article by Thomas Fisher, Dean of the College of Design at the University of Minnesota, that was part of the material attached to the Boston Society of Architects publication regarding their Research Grant program. The article, Research in the design studio, from page 6 of the 2009 Research Grants program review and report, reminds us that research opportunities are everywhere in our daily work. Sometimes we just don’t recognize them and then don’t use disciplined methods to record that information. Too often we don’t look for and use available information, better known as someone else’s research. Thomas Fisher’s message is clear and applicable to all of us and in all that we do. We shouldn’t be intimidated by the term “research” and think that it is done by someone else in a “lab” somewhere else. Remember our life and our work is our lab. I believe his message is all about how we approach our questions, our inquiry, our curiosity and our search. That search will allow us to take on the big challenges that face our profession and our planet.

In case the link above does not display, page 6 is pasted below.

Research in the design studio
Thomas Fisher, AIA

Research occurs in design studios and offices all the time: historical research, precedent studies, and programming analyses, form explanations, functional evaluations and so on. But we often don’t think of this as “research” and so we rarely frame our work using research protocols, such as hypothesis statements, testing methods, evaluation criteria or generalizable conclusions. Nor do we document and share the results of this research with colleagues very often. If we are to transform architecture into a more evidence-based, value-added discipline and profession, we desperately need to see design as a form of research and to capture and peer-review the knowledge we produce as a result.

At the same time, peer-reviewed research rarely gets folded into the work of design studios or architectural offices, which often means that we end up repeating or rediscovering what we already know, without much attention to the discovery or development of new knowledge. This happens, in part, because we don’t have a good sense of what constitutes “new” knowledge in our field. The need for greater access to and inclusion of research in our work has never been greater, even though our field has given it relatively little attention or funding.

In universities, design studios have many of the same features as “labs,” requiring the same levels of computing equipment and shop support. However, conceptually, most architecture schools treat them more like fine art studios, in which originality and individuality gets rewarded rather than the common knowledge generated there.

We can no longer afford this fine arts model, not because it is too expensive, but because the world needs architects and designers to grapple with the big problems we face on this planet – such as climate change, habitat fragmentation, dysfunctional cities, inadequate shelter for billions of people, etc. We need to find ways to identify the most pressing problems, identify the best solutions and peer-review them for broad dissemination. The world needs design studios, be they in universities or offices, to act more like research labs, and we will have no choice but to respond to that need.